Worship Music Biography

Joey Belladonna - vocals
Charlie Benante – drums
Frank Bello – bass
Rob Caggiano – guitars
Scott Ian – guitars

TV has soap operas, literature has Shakespeare, and metal – well, metal has Anthrax, that fire-breathing, thrash-spitting, multi-headed beast of a band that – 30 years since the day Scott Ian and then-bassist Danny Lilker searched a biology textbook for the disease that would become their moniker – smiles back at you with a monstrous, upturned middle finger and refuses to fucking die. But then, if you have an inkling about heavy metal, you'll have heard of their meteoric rise in the 80s alongside the likes of Slayer, Megadeth, and a little band that once crashed on Anthrax's studio floor known as Metallica. You'll know all about their game-changing, crossover hit with Public Enemy on Bring The Noise in 1991. You'll have listened to generations of bands that owe everything to their signature stomp and crushing riffs. And in more recent times, you'll have witnessed an almost irrational will to survive in defiance of monumental odds. And that, true believers, is the story of one of the most doggedly heroic bands in metaldom on the cusp of their greatest release to date. The road has not been easy.

Given that this year Anthrax celebrates its 30th anniversary of fighting the good fight, Scott's sentiment is a poignant one. So how does it feel to be releasing a new record over three decades since you began?

"It freaks me out actually, that that much time has gone by," says Charlie. "In my mind I still feel like the same person from back then, but if we were to do this ten years ago, I would be more concerned about staying relevant and this time I could care less about staying relevant. It's about doing what I think our fans enjoy.

"I truly can't put it into any kind of context because we're just so busy, you know? We're sitting here with this setup of a record in the middle of playing shows with so much going on, so I guess I could say nothing is changed, things are exactly the same as when we're working toward the next thing and that's maybe somehow some way we've always been able to move forward, always looking forward and never stopping - it's never been that way with Anthrax, even just this constant struggle to find band members who would commit to rehearsing for four nights a week and having to fire them, it was constantly moving forward until we recorded Fistful of Metal, well we've gotta go on tour and sell t-shirts, and we've gotta get rid of Neil Turbin, and then we found Joey... In 2011 my day is still filled with what's happening with Anthrax, and I love this new record and how it represents our whole career in Anthrax. I can't wait for people to hear it."

*****

Over the past 30 years, Anthrax has achieved sales in excess of 10-million. The band has also received multiple Gold and Platinum albums, multiple Grammy nominations, and a host of other accolades from the media, industry and fans.

Testament was one of the first thrash metal bands to emerge from the San Francisco Bay Area in the 1980's. Originally formed as 'Legacy' in 1983 by founding members Eric Peterson (rhythm guitar), Derrick Ramirez (guitar) and Louie Clemente (drums), the line-up included vocalist Steve Souza and Greg Christian (bass). Ramirez was later replaced by wunderkind Alex Skolnick (lead guitar). Souza soon departed to join Exodus and suggested that the towering Chuck Billy take over as frontman. The band became known as 'Testament' 3 years later, while recording their debut album in Ithaca, New York.

"The Legacy" was a brutal intro in 1987, putting Testament at the forefront of the flourishing thrash metal scene. Following "Live At Eindhoven", an EP recorded at Holland's Dynamo Festival, "The New Order" in 1988 was well received producing one of the band's most memorable classics "Disciples Of The Watch". Next came the highly successful "Practice What You Preach" in 1989, then the release of "Souls Of Black" in 1990, coinciding with the European 'Clash Of The Titans' tour with Slayer, Megadeth and Suicidal Tendencies.

After "The Ritual" in 1992, Skolnick, who was losing interest in pure metal, decided to pursue his interest in jazz and left the band. Clemente also departed. "Return To Apocalyptic City" in 1993 brought Glen Alvelais (guitar, ex- Forbidden) into the fold, and filling in temporarily for Clemente, Paul Bostaph (ex- Forbidden, Slayer). James Murphy (ex- Death, Obituary, Disincarnate, Cancer) soon stepped in for Alvelais on lead duties for "Low" in 1994, as John Tempesta (ex- Exodus) took over on the drums. Tempesta later left to join White Zombie, and was replaced by John Dette (ex- Evil Dead ). "Live At The Fillmore" was released in 1995, then Dette left in 1996 to join Slayer. "The Best Of Testament" was released in 1996.