State Theatre Portland
Matisyahu, Dirty Heads

WCYY Presents

Matisyahu

Dirty Heads

Moon Taxi

Wed, July 25, 2012

Doors: 7:00 pm / Show: 8:00 pm

State Theatre

Portland, ME

$30 advance / $35 day of show

This event is all ages

Buy tickets in person at the Cumberland County Civic Center Box Office, charge by phone at 800-745-3000 and online at www.statetheatreportland.com The State Theatre Box Office will be open one hour before doors on night of show.

Matisyahu
Matisyahu
Matisyahu fuses the contemporary styles of rap, beatboxing, and hip-hop in general, with the more traditional vocal disciplines of jazz's scat singing and Judaism's hazzan style of songful prayer—more often than not rolling it all into a dominant background of reggae music.[original research?] The New York Times' Kelefa Sanneh wrote that "His sound owes a lot to early dancehall reggae stars like Barrington Levy and Eek-a-Mouse." The Chicago Tribune's Kevin Pang described a Matisyahu performance as "soul-shaking brand of dancehall reggae, a show that captures both the jam band vibe of Phish and the ska-punk of Sublime."
Dirty Heads
Dirty Heads
After two decades spent chiseling their unique, multi-genre infused sound, Dirty Heads have finally come into their own. Since the release of their 2008 debut 'Any Port in a Storm,' the five-piece band -- Jared Watson (vocals), Dustin "Duddy B" Bushnell (vocals/guitar), Jon Olazabal (percussion), Matt Ochoa (drums) and David Foral (bass) -- has consistently experimented with their sunny style, leaning heavily on reggae fused with hip-hop cornerstones and scaling back for more acoustic fare, darting between extremes. But it's with their fifth and self-titled album that the group has felt fully confident in a body of work, ready to bring their unique style to the masses.

"It's the most core Dirty Heads album we've done," explains Watson, who formed the collective with Bushnell in 1996. "One of the most important things about this album is the reason we self-titled it. This album has all of the elements that we've tried to play around with. We had to go through those other albums to really find out exactly who we are, where it was natural. Now, I just think our sound is better and more confident."

Recorded in Los Angeles over a period of four months, 'Dirty Heads' marks a stylistic heel-turn for the Huntington Beach, Calif. natives, who enlisted a diverse team of hit-makers including: Da Internz (Rihanna, Nicki Minaj), Drew Pearson (Katy Perry, Zac Brown Band), David Kahne (Lana Del Rey, The Strokes), Jimmy Harry (Madonna, Diplo), Jonas Jeberg (Demi Lovato, Fifth Harmony), and a handful of others. The record spans lively tracks like reggae-bounced "Oxygen" to the instantly catchy sing-along "Too Cruel" and horn-blasted lead single "That's All I Need," the latter of which captures the nostalgia of carefree adolescence.

Produced by Justin Gray (Mariah Carey, Joss Stone), 'That's All I Need' "just has a good feel to it, kind of hanging out with your friends in the neighborhood on a Sunday in the summer back when you were growing up," says Duddy. "Everyone's got that good memory, so that's where we started aiming for. Let's make this feel-good summer song that people can put on in the backyard with their friends and family."

'Dirty Heads' comes in the wake of their most successful release to date, 2014's 'Sound of Change,' which debuted at No. 1 on Billboard's Top Alternative Albums chart. This album is marked differently than its predecessors -- 2008's 'Any Port in a Storm,' 2012's 'Cabin by the Sea' and 2013's acoustic offering 'Home - Phantoms of Summer,' the former of which spawned the smash single "Lay Me Down" featuring Rome of Sublime with Rome that topped the Alternative Songs chart for 11 weeks.

The band's prior releases set the groundwork for their latest, proving a clear indication of their artistic growth, and an ambitious one at that. For the LP, they decided to toy with sequencing, splitting the album into two parts -- Day and Night -- guiding listeners through their day from start to finish. Duddy explains that it was done in response to the listening public's reliance on playlists, and artistically executed by color-coding each 'Day' song (red, orange, yellow) and 'Night' song (purple, green, black) to reflect the vibes of feeling positive, exuberant versus chilled out and low key.

"Nowadays, it's so easy to just listen to one song," he says. "Have a song on your iTunes playlist, you probably don't even know who the artist is because it doesn't matter, you just like that track. So we were trying to provide the order we think you should listen to these in and get people in front of what we think." Watson adds, "When you do that and you're doing it in our original way, I feel like it makes it timeless."

With a solid fan-base already in place, Dirty Heads are focusing their sights on something they've been edging towards for years: breaking the mainstream. "We want our fans to love it, because we love what we do and we want to keep doing it," says Watson. "But this album for me, I cannot poke a hole in any of it. From front to back, it's really so phenomenal. I'm so confident in it that I want it to take Dirty Heads from the band that we are in America, worldwide."
Moon Taxi
Moon Taxi
Moon Taxi is one of those rare bands that unites musical ingenuity with thoughtful lyrics and still somehow manages to wildly entertain and thrill a crowd. Their new record, Cabaret, is a layered, multi-dimensional endeavor that displays the band's maturing sense of their own musical identity. A follow-up to their live album, Live Ride, Cabaret illustrates the challenges of defining yourself in a world that seems to be suffering from its own identity loss. Lead singer Trevor Terndrup says, "It's about juxtaposition—putting together seemingly opposite ideas and finding a strange harmony." Inspired by surrealist artwork and novelist Tom Robbins, Terndrup says, "I guess we are trying to say that things are not so black and white, or good or evil, but relative to your own perspective."

Evoking the musical revolution of the sixties and seventies, Moon Taxi ignites their eclectic sound with unique melodies and energetic shows. The band has already formed a loyal fan base across the Southeast, selling out clubs and creating a strong grassroots following. Keyboardist Wes Bailey says, "It's an incredible feeling to see people who we've never met before in a town we've never played before, dancing and singing our lyrics at the top of their lungs. That's what really gets us off."
Venue Information:
State Theatre
609 Congress St
Portland, ME, 04101
http://www.statetheatreportland.com/